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It seems that there's hardly enough time to to write fiction, let alone posts about writing; complicating that, I don't like to talk details about the story I'm working on because that reduces the pressure to write the story. Not productive. But sometimes I'm bursting with discussion needs, and I'm going to try to let them out more often.
Why I Write Fantasy Settings
I can't say for sure why all my original smut falls into the category of "vaguely medieval historical setting where swords, princes, and dragons could all emerge," but since that's what pushes my buttons, that's what I write. In the story I'm working on now, I could have easily had the Character of Dubious Ethics walk into the protagonist's house, open the fridge, and take out a beer. If I'd found that somewhere I'd have shut the book and walked away. There is absolutely no sexy in that for me; this is why he had to cross to the table and pick up a flask of wine instead, even if I wasn't interested in painting the setting to greater detail just at that moment.
One theory for this is that a lot of my non-con fantasies center around a concept that I call Things Are Different Here.
Things Are Different Here relies upon outraging the sensibilities of the person having the fantasy (or reading the story). Things Are Different Here says, in this country, or in the neighboring one or what have you, concepts that would make us say WHAAAAAAT are the norm. Concepts like the ever-present sexual slave auctions. Or unmarried maidens required to go about bare-breasted. Males disciplined in a harsh matriarchal society. Bestiality rituals at puberty. I'm not even telling you my favorites, so that they don't go stale in the reveal.
And that WHAAAAAAT of outrage is necessary. I want--and I want the reader--to feel the unfairness of this, the terrible injustice of a world that would go against all humane instincts. And of course, I get to channel that sense of outrage into my victim/protagonist if they didn't come from that country in the first place.
Could I root that in a realistic setting? Well, maybe I can't suspend my disbelief for it. Maybe, just as importantly, I don't want to think of all the historical (and current) atrocities my own world is capable of, dreadfully unsexy. Maybe I only want my nice safe fantastical ones--like the tradition that all new brides are required to be f**ked by all the members of their new husband's household--and I need that "vaguely medieval historical setting" to make it all come to filthy yummy fruition.
Why I Write Fantasy Settings
I can't say for sure why all my original smut falls into the category of "vaguely medieval historical setting where swords, princes, and dragons could all emerge," but since that's what pushes my buttons, that's what I write. In the story I'm working on now, I could have easily had the Character of Dubious Ethics walk into the protagonist's house, open the fridge, and take out a beer. If I'd found that somewhere I'd have shut the book and walked away. There is absolutely no sexy in that for me; this is why he had to cross to the table and pick up a flask of wine instead, even if I wasn't interested in painting the setting to greater detail just at that moment.
One theory for this is that a lot of my non-con fantasies center around a concept that I call Things Are Different Here.
Things Are Different Here relies upon outraging the sensibilities of the person having the fantasy (or reading the story). Things Are Different Here says, in this country, or in the neighboring one or what have you, concepts that would make us say WHAAAAAAT are the norm. Concepts like the ever-present sexual slave auctions. Or unmarried maidens required to go about bare-breasted. Males disciplined in a harsh matriarchal society. Bestiality rituals at puberty. I'm not even telling you my favorites, so that they don't go stale in the reveal.
And that WHAAAAAAT of outrage is necessary. I want--and I want the reader--to feel the unfairness of this, the terrible injustice of a world that would go against all humane instincts. And of course, I get to channel that sense of outrage into my victim/protagonist if they didn't come from that country in the first place.
Could I root that in a realistic setting? Well, maybe I can't suspend my disbelief for it. Maybe, just as importantly, I don't want to think of all the historical (and current) atrocities my own world is capable of, dreadfully unsexy. Maybe I only want my nice safe fantastical ones--like the tradition that all new brides are required to be f**ked by all the members of their new husband's household--and I need that "vaguely medieval historical setting" to make it all come to filthy yummy fruition.
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Date: 2010-03-28 01:14 am (UTC)Take a leap forward, see what your characters would do if they lived in your town xD
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Date: 2010-03-28 01:22 am (UTC)I'm writing an original vampire story at the moment, and it's set in the 18th century, but still very much in the real world. I'm using real locations and street names and buildings, but because they're vampires, they have this whole world going on that the humans don't have any idea about. It's awesome fun. :D
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Date: 2010-03-28 01:30 am (UTC)There you go! That's why it's such a divine kink. It's no longer our world, exactly, but it sits parallel to ours and it transforms it by virtue of that.
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Date: 2010-03-31 09:46 pm (UTC)Being landed in the familiar everyday world challenges me to find the difference in my characters, int he people rather than in the setting, and it makes those people just that much more actual to me. To me, that's the fun of having dress-up dolls, is being able to take them places and do things with them -- being able to take them everywhere with me, actually.
Anyway, that fundamental difference in how we find out creative energy is probably what makes you such a good reader of my work, and me (I hope) of yours. And you are probably going to say that TATSH doesn't apply to my current project, but I would argue that it does, and that's what underlies all the careful research I'm doing - it has to be genuine or it isn't real, and if it isn't real, then they aren't real. In other words, I need the chair that Cal sits on to be as probable as Cal himself; more so, in fact, because the chair's probability is what gives Cal his.
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Date: 2010-04-04 01:50 am (UTC)Being landed in the familiar everyday world challenges me to find the difference in my characters, int he people rather than in the setting,
What I think happens to me is that I want the characters to do such outlandish things that it triggers my "Okay that would never happen in a million years" disbelief sensors, and I have to create a whole new world with a whole new set of rules that would, you know, actually let people do these outlandish things.
And of course TATSH applies greatly to what you are working on! You are doing all you can to root these people in real history. It rolls off the page; I can even smell the damn cigarettes and am trying to get the smell out of my clothing here, that's how real it is. Oh, yes.
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Date: 2010-04-01 04:02 am (UTC)smutromances are possible. (I actually ran out and bought a book series because I found a commenter on the internet saying that the interspecies pairing squicked her!)Which is not to say that non-con where Things Are Different There isn't also awesome, a lot of the time. :D
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Date: 2010-04-04 01:52 am (UTC)*cracks up* I actually found my favorite romance novelist author because she got a negative review in a newspaper. "There's kinky sex in a dungeon in this! Ew ew ew!" Me two hours later in a Barnes and Noble: "Excuse me, do you have Hellion by Bertrice Small?"
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Date: 2010-04-11 09:30 pm (UTC)Re-reading this makes me want Darkover porn. Like one of the official Darkover anthologies, but with all the stories being smut.
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Date: 2010-04-25 06:44 pm (UTC)Ooh, you got that right.
BTW, I'm biding my time waiting for each new chapter of yours by reading the other fics. Quite a wide range of writing skills there (ranging from "did they even have a beta" up to, well, you). :D
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Date: 2010-04-25 09:16 pm (UTC)(also, am laughing, am very pleased, and will not make any comments that might criticize fellow authors)
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Date: 2010-06-11 04:10 am (UTC)1. Thank you for reviewing my Ganky story ("Choices" of the Albert and Franz brothel visit)
2. Tell you how very much I adore that Lucius icon. So very VERY much. I have saved it to my comp just so that i can take it out and pet it once in a while.
3. Say that I also understand your fantasy setting bias - partly because men with long long hair just DO it for me. (Even if they're badly drawn :p).
4. On a related note, I cannot recommend Yamane Ayano's Crimson Spell manga enough. Fantasy yaoi romance. Yes, there's magic - long silver haired biseinen is one of the mains - but here are swords. And thieves ... and flagons of wine.
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Date: 2010-06-13 11:03 am (UTC)Whoo, long long hair, YES. In fact, I know I got into Harry Potter fanfiction because of Jason Isaacs' Lucius. I've always had a thing for elegant bastards with long white hair, and I nearly died when Lucius walked on-screen.
Yamane Ayano, ooh! Yes, I love Y.A.'s manga to pieces; I will check out Crimson Spell ASAP, thank you!
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Date: 2010-06-13 11:43 am (UTC)(goes to the happy place for a few moments)
Anyhow ... If you're in a place that can get them, two volumes of Crimson Spell have been released in English (up to chapter 13). Kitty Media supposedly will publish volume 3 this year * gnashes teeth with impatience *
For chapters not yet published in English, there are scanslations following pretty closely on the Japanese Chara releases (which is at chapter 29 now I think). ~
The Yamane Ayano LJ has info on non-English licensing and scanslations.
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Date: 2010-06-13 11:45 am (UTC)no subject
Date: 2010-06-13 11:50 am (UTC)er, and in a bit'o'selfpimp, I am doing mostly Crimson Spell fics for KB this year. The first 4 are on FF.net (http://www.fanfiction.net/u/579079/Silverr)